Disco, Soho Part 2

Whenever I hear its unmistakable opening bars, Van McCoy's 70's classic The Hustle still thrills me to the core.  The Whispers; The Chi-Lites; George McRae; Teddy Pendergrass; The Hues Corporation: such was the diet of a 4-to-the-floor fan kid in his bedroom, dreaming of strutting far-off Manhattan's seemingly unattainable light-up dance floors. It was a fantasy that would presently come true, however. Clocking the bold slogan I'd had printed in white on a black t-shirt,  Steve Rubell, co-owner of the world's most notorious night club... EVER, spots this precocious wee Scot, not yet legally old enough to drink,  chancing his luck at the Big Apple’s most hard to crash door.  picking me out from among the clamouring hordes of hopefuls in their thousands at his venue’s besieged portals, he beckons me to come forward "FUCK STUDIO 54?" - for such was the message of my gamble in  reverse psychology - "You got some nerve, kid!’ Fearing the worst, the cocky kid is quaking inside, all yellow Jello in 501 jeans. After what seemed like at least a decade…..he smiles and pulls back the velvet rope that separates mere mortals from disco heaven. "Welcome to Studio 54. Enjoy!" says God, handing me a 54-embossed lifetime VIP membership for my chutzpah; this, to the utter incredulity of my hard-bitten Manhattan leather queen roomie who had warned such impudence would see us both permanently banished to Brooklyn or some other bridge and tunnel hell. Fast forward to 2013. If - as Charlie  Gilkes just has  - you are going to open a London club that aims to recreate NYC's glory days (i.e circa Shalamar), expect me to be your pickiest critic. Accomplished international Hustler; DJ; Fire Island tea dance fixture:  DISCO is in my DNA. Well, perhaps not quite all things. What was consumed in 54's inner sanctum, vintage Dom P aside, never really interested me.  Fly Robin Fly by Silver Convention, not a silver spoon at my nose, was all I needed to get high. But as I head towards the party Charlie (ironic name for a nightclub owner, no?) is throwing for DISCO Soho's launch, I am coming over all queer - and not in a YMCA way. You See The Trouble With Me (as big old Bazza White sang it) is the hash brown I ate at a party I attended earlier was exactly what it said on the tin and its key ingredient’s woozy warpy ways  are kicking in. And not in a good way. As fake hair-flicky drag queens camp it up and DISCO's waiters in gold shorts and muscle vests take to the floor for their well-choreographed routine to The Fatback Band's Bus Stop,  I'm becoming increasingly claustrophobic, panicked by flashbacks. Fraying around the edges, I am beginning to Freak, and not in a Chic way. How come? Because DISCO, entered via a mocked-up door to a Pan-Am 747, feels Mighty Real (RIP Sylvester). Not up there with 54 of course, but it could be a dive in downtown Hoboken circa Boogie Ooogie Oogie. What's really upsetting me though, is a mural in the style of Keith Haring - imagery that I will forever associate with New York in those dark days when the perma-party turned to carnage. Suddenly, they are all back in the room. Warren; Steve; Angel; Karl; Calvin; Lloyd: gym buff blokes in their prime turned overnight into sarcoma-riddled, zombie-eyed cadavers as the Big A felled 50% of my disco buds. Add to this, a worrying-looking go-go dancer that, in my current altered state, I take to be a short-arse London society queen with her head stuck inside a glitter ball. "Wow! Is that really Fran Cutler?" I say. "Not with that body" quips catty person unknown. Or have I hallucinated that too? Sweaty, clammy, breathless,  I flee Gilkes's undoubtedly fine and fun vision of 1979 before I can critique DISCO's disco drinks - tequila sunrise, Harvey Wallbanger, blue lagoon. Based on his other venue's cocktails (Bunga Bunga, Maggie's Bart's), I imagine they are all perfectly acceptable. “ Take deep breaths and repeat ten times "I Will Survive" I say to myself as Gilke's PR leads me up towards fresh air and spirits me off to the relative sanity of his other new gaff, Mr. Fogg's (see next review). Music was always my party drug of choice. The same can’t be said of so many Studio54  regulars that have long since joined Steve Rubell, partying on at the greatest disco the skies have ever seen, no doubt.  

DISCO, 13 Kingly Court W1 7299 1222 http://disco-london.com